Lou Reed Transformer Zip Download

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'Andy's Chest' was first recorded by the band in 1969 and 'Satellite of Love' demoed in 1970; these versions were released on and, respectively. For Transformer, the original up-tempo pace of these songs was slowed down. 'New York Telephone Conversation' and 'Goodnight Ladies' are known to have been played live during the band's summer 1970 residency at; the latter takes its title refrain from the last line of the second section ('A Game of Chess') of 's poem,: 'Good night, ladies, good night, sweet ladies, good night, good night.' , which is itself a quote from Ophelia in. As in Reed's Velvet Underground days, the connection to artist remained strong. According to Reed, Warhol told him he should write a song about someone vicious.

Lou Reed Transformer Review
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March 28, 2002. • ^ Hull, Tom (2004). In Brackett, Nathan; Hoard, Christian. • Marchese, David (November 2009).. Retrieved January 13, 2017.

00:03:09 • • • • • • • Lou Reed, Arranger, Associated Performer, Composer, Main Artist, Mixing Engineer - David Bowie, Arranger, Mixing Engineer, Producer - Mick Ronson, Arranger, Mixing Engineer, Producer, Strings - Ken Scott, Mixing Engineer - Mike Stone, Mixing Engineer - Arun Chakranerty, Mastering Engineer - The Thunder Thighs - Herbie Flowers, Bass, Bass Guitar - Klaus Voorman, Bass Guitar - Barry Desouza, Drums - Richie Dharma, Drums - John Halzey, Drums Copyright: (P) 1972 RCA Records, a division of Sony Music Entertainment • 11 Goodnight Ladies.

When Reed asked what he meant by vicious, Warhol replied, 'Oh, you know, like I hit you with a flower', resulting in the song '. Production [ ] Transformer was produced by and, both of whom had been strongly influenced by Reed's work with the Velvet Underground.

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Following Reed's death in October 2013, digital sales of Transformer, 'Walk on the Wild Side', and 'Perfect Day' all rose more than 300%, and 'Walk on the Wild Side' cracked the new Billboard Rock Digital Songs chart at No. Critical reception [ ] Professional ratings Review scores Source Rating B− 8.4/10 8/10 In a mixed review for magazine, highlighted four 'quality' songs, including 'Hangin' 'Round' and 'Satellite of Love', which he felt express a stimulating sexuality, but dismissed most of the album as 'artsyfartsy kind of homo stuff' that lacks assertiveness. In a retrospective review for (2004), Tom Hull wrote that Reed 'wrote a bunch of clever new songs and tried to cash in on producer David Bowie's trendily androgynous, which worked well enough to break 'Walk on the Wild Side.' ' In 1997, Transformer was named the 44th greatest album of all time in a 'Music of the Millennium poll conducted in the United Kingdom by,, and. Transformer is also ranked No.

00:03:35 • • • • • • • Lou Reed, Arranger, Associated Performer, Composer, Main Artist, Mixing Engineer - David Bowie, Arranger, Mixing Engineer, Producer - Mick Ronson, Arranger, Mixing Engineer, Producer, Strings - Ken Scott, Mixing Engineer - Mike Stone, Mixing Engineer - Arun Chakranerty, Mastering Engineer - The Thunder Thighs - Herbie Flowers, Bass, Bass Guitar - Klaus Voorman, Bass Guitar - Barry Desouza, Drums - Richie Dharma, Drums Copyright: (P) 1972 RCA Records, a division of Sony Music Entertainment • 5 Walk On the Wild Side. 00:03:00 • • • • • • • Lou Reed, Arranger, Associated Performer, Composer, Main Artist, Mixing Engineer - David Bowie, Arranger, Mixing Engineer, Producer - Mick Ronson, Arranger, Mixing Engineer, Producer, Strings - Ken Scott, Mixing Engineer - Mike Stone, Mixing Engineer - Arun Chakranerty, Mastering Engineer - The Thunder Thighs - Herbie Flowers, Bass, Bass Guitar - Klaus Voorman, Bass Guitar - Barry Desouza, Drums - Richie Dharma, Drums - John Halzey, Drums Copyright: (P) 1972 RCA Records, a division of Sony Music Entertainment • 7 Satellite of Love. 00:03:19 • • • • • • • Lou Reed, Arranger, Associated Performer, Composer, Main Artist, Mixing Engineer - David Bowie, Arranger, Mixing Engineer, Producer - Mick Ronson, Arranger, Mixing Engineer, Producer, Strings - Ken Scott, Mixing Engineer - Mike Stone, Mixing Engineer - Arun Chakranerty, Mastering Engineer - The Thunder Thighs - Herbie Flowers, Bass, Bass Guitar - Klaus Voorman, Bass Guitar - Barry Desouza, Drums - Richie Dharma, Drums - John Halzey, Drums Copyright: (P) 1972 RCA Records, a division of Sony Music Entertainment • 9 New York Telephone Conversation.

• Jones, Alan (November 4, 2013).. Retrieved December 1, 2015. External links [ ] • at (list of releases).

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'Goodnight Ladies' 4:19 Total length: 36:40 30th anniversary edition Bonus Tracks No. Title Length 12. 'Hangin' 'Round' (acoustic demo) 3:58 13. 'Perfect Day' (acoustic demo - includes a hidden track featuring an advert for the album) 4:50 Personnel [ ] Adapted from the Transformer liner notes. • ^ Stephens, Matthew (March 11, 2003)..

And while Reed occasionally overplays his hand in writing stuff he figured the glam kids wanted (“Make Up” and “I’m So Free” being the most obvious examples), “Perfect Day,” “Walk on the Wild Side,” and “New York Telephone Conversation” proved he could still write about the demimonde with both perception and respect. The sound and style of Transformer would in many ways define Reed’s career in the 1970s, and while it led him into a style that proved to be a dead end, you can’t deny that Bowie and Ronson gave their hero a new lease on life — and a solid album in the bargain.

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Lou Reed Transformer Review

Lou Reed – Transformer (1972/2015) FLAC (tracks) 24 bit/96 kHz Time – 37:06 minutes 774 MB Genre: Rock Studio Master, Official Digital Download Source: HDTracks Artwork: Front cover © RCA Records Recorded: August 1972 at Trident Studios, London Released in 1972, Transformer is Lou Reed’s second studio album. It was produced by David Bowie and Mick Ronson and was ranked number 194 on Rolling Stone magazine’s list of the 500 greatest albums of all time. David Bowie has never been shy about acknowledging his influences, and since the boho decadence and sexual ambiguity of the Velvet Underground’s music had a major impact on Bowie’s work, it was only fitting that as Ziggy Stardust mania was reaching its peak, Bowie would offer Lou Reed some much needed help with his career, which was stuck in neutral after his first solo album came and went. Musically, Reed’s work didn’t have too much in common with the sonic bombast of the glam scene, but at least it was a place where his eccentricities could find a comfortable home, and on Transformer Bowie and his right-hand man, Mick Ronson, crafted a new sound for Reed that was better fitting (and more commercially astute) than the ambivalent tone of his first solo album. Ronson adds some guitar raunch to “Vicious” and “Hangin’ Round” that’s a lot flashier than what Reed cranked out with the Velvets, but still honors Lou’s strengths in guitar-driven hard rock, while the imaginative arrangements Ronson cooked up for “Perfect Day,” “Walk on the Wild Side,” and “Goodnight Ladies” blend pop polish with musical thinking just as distinctive as Reed’s lyrical conceits. And while Reed occasionally overplays his hand in writing stuff he figured the glam kids wanted (“Make Up” and “I’m So Free” being the most obvious examples), “Perfect Day,” “Walk on the Wild Side,” and “New York Telephone Conversation” proved he could still write about the demimonde with both perception and respect. The sound and style of Transformer would in many ways define Reed’s career in the 1970s, and while it led him into a style that proved to be a dead end, you can’t deny that Bowie and Ronson gave their hero a new lease on life — and a solid album in the bargain.

• Transformer (CD booklet).. • ^ • 'Les Certifications (Albums) du SNEP (Bilan par Artiste)' • (in Italian). Retrieved 25 May 2013. Select albums in the Format field. Select Platinum in the Certification field. Enter Transformer in the search field and then press Enter.

• Weisbard, Eric; Marks, Craig, eds. • (January 4, 1973).. Retrieved August 9, 2013. Retrieved 2013-08-09.

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• ' Released: November 8, 1972 • ' Released: February 1973 • ' Released: 1973 Transformer is the second solo by American recording artist. The album is considered an influential landmark of the genre, anchored by Reed's most successful single, ', which touched on controversial topics of sexual orientation and drugs. Produced by and arranged by, the album was released in November 1972. Though Reed's had been unsuccessful, Bowie had been an early fan of Reed's former band, and used his own fame to promote Reed, who had not yet achieved mainstream success. Contents • • • • • • • • • • • • • Conception [ ] Background [ ] As with its predecessor, Transformer contains songs Reed composed while in (here, four out of ten).

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'Hangin' 'Round' 3:39 5. ' 4:12 Side two No. Title Length 6. 'Make Up' 2:58 7. 'Wagon Wheel' 3:19 9. 'New York Telephone Conversation' 1:31 10. 'I'm So Free' 3:07 11.

Lou Reed Transformer Full Album

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• (January 12, 1992).. Retrieved July 29, 2013. Christgau's Record Guide: Rock Albums of the '70s.. Retrieved August 9, 2013. (5th concise ed.).. • 'Lou Reed: Transformer'.: 72.

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55 on 's list of 'Greatest Albums of All Time.' In 2003, the album was ranked number 194 on magazine's list of. It is also on magazine's list of '100 Greatest Albums Ever'. Track listing [ ] All tracks written. Title Length 1.

Retrieved August 9, 2013. • ^ Trebay, Guy (2013-11-01). The New York Times. Retrieved 2018-04-29. Retrieved 2013-08-09.

Rolling Stone. Retrieved 2013-08-09.

• Fitch, Andy (2012).. • Pryor, Fiona (2007-05-10). Retrieved 2013-08-09. • Nick Tosches (1973-01-04). Rolling Stone. Retrieved 2013-08-05.

Retrieved 2014-01-25. • Deming, Mark.. Retrieved August 9, 2013. • Young, Jon.. Archived from on September 30, 2007. Retrieved March 31, 2017.

Lou Reed Transformer Mediafire

Rock noticed the flaw but decided he liked the fortuitous effect enough to submit the image for the. Karl Stoecker (who also shot the first three album covers) took the back cover photo of a woman and a man. The man is portrayed by Ernie Thormahlen (a friend of Reed) and appears to have a noticeable erection,, although Reed has said this was actually a banana which Thormahlen had stuffed down his jeans before the photo shoot. Release [ ] The first single from the album, ', became an international success, despite its controversial subject matter. The song's lyrics mention issues, sex acts, and drugs, causing it to be edited in some countries and banned in others. It is now generally regarded by fans and critics as Reed's signature tune.

'Satellite of Love' was issued as the second single in February 1973. In 2002, a 30th anniversary edition of the album was released; in addition to demos of 'Hangin' Round' and 'Perfect Day', it includes a featuring an for the album.

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Bowie had obliquely referenced the Velvet Underground in the cover notes for his album and regularly performed both ' and ' in concerts and on the BBC during 1971–1973. He even began recording 'White Light/White Heat' for inclusion on [ ], but it was never completed; Ronson ended up using the backing track for his solo album in 1974. Mick Ronson (who was at the time the lead guitarist with Bowie's band, ) played a major role in the recording of the album at, serving as the co-producer and primary session musician (contributing guitar, piano, recorder and backing vocals), as well as arranger, notably contributing the string arrangement for '. Reed lauded Ronson's contribution in the Transformer episode of the documentary series, praising the beauty of his work and keeping down the vocal to highlight the strings. The songs on the album are now among Reed's best-known works, including ', ' and ', and the album's commercial success elevated him from status to become an international star. Artwork [ ] The was from a photograph that inadvertently became over-exposed as he was printing it in the darkroom.

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